GLYPHJOCKEY - KING O' THE WEB!
Did I mention?........ KING O' THE WEB!
Wednesday, October 28, 2009
Tuesday, October 27, 2009
Saturday, October 24, 2009
The Dan........OF DEATH !!!
Good ol' anonymous Dan, apparently a GlyphJockey regular reader, has returned with another splendid eclectic mix of Hallowe'en hits
Link at pickaxeinyourskull
Link at pickaxeinyourskull
Sunday, October 18, 2009
Unfamiliar Hallowe'en Comic Story
Mighty Bear - What the.....? never heard of him - dig the godawful registration issues.
Pic links to PDF.
Creepiest thing is the abdomen bumping on the cover.
Pic links to PDF.
Creepiest thing is the abdomen bumping on the cover.
Hallowe'en's Around the Corner
....and I'll be out of town for the first time ever. Bah!
Here's a nicely designed logo 4U
Here's a nicely designed logo 4U
Saturday, October 17, 2009
An L.A. Hallowe'en
Friday, October 16, 2009
Wednesday, October 14, 2009
For The Insurance Companies Who Kill Us If We're Not In The Budget
SKIP JAMES' WASHINGTON, DC HOSPITAL BLUES
Yes, I was a good man
But I'm's a po' man
You understand
In the hospital, now
In Washington D.C.
Ain't got nobody
To see about me
But I'm's a good man
But I'm's a po' man
You can understand
All the doctors
And nurses, too
They came and they asked me
'Who in the world are you?'
I says, I'm the good man
But I'm's a po' man
You can understand
The doctors and nurses
They shakin' their head
Said, 'Take this po' man
And put him to bed'
Because he's a good man
We know he's a po' man
We can understand
I didn't go hungry
I had a-plenty to eat
I had good treatment
And a place to sleep
Because I was a good man
They knew I was a po' man
They could understand
I met a little damsel
She promised me
That she would love me
And always be sweet
She found out I was a po' man
And I thought I was a good man
She couldn't understand, no
Now, when she left me
She got in the do'
She waved me, good-bye
I haven't seen her no mo'
She found out I was a good man
She knew I was a po' man
She couldn't understand
The doctors and nurses
They shakin' my hand
Say, 'You can go home now, Skip
You's a sound, well man'
Because you's a good man
You's a po' man
We can understand
I'd thankin' my doctor
And I was shakin' his hand
I'm gon' play these, 'Hospital Blues'
'Till you's a wealthy man'
You took me as a good man
You know'd I was a po' man
You could understand
You know'd I was a good man
But I'm's a po' man
You can understand!
Hear Here:
Labels:
fascists,
health,
illness,
Insurance,
Obama,
poor,
poverty,
public option,
Skip James
Friday, October 09, 2009
Moblog: In a Gallery on Minna
From a series of illuminations called "American Qu'ran" - quite apt & visually compelling when viewed in sequence -
Thursday, October 08, 2009
Tuesday, October 06, 2009
Friday, October 02, 2009
Judy Henske's Unfortunate Leg Meat
The scene below from Hootenanny Hoot! features Judy Henske, the speculatively real-life Annie Hall (ew- bangin' Woody Allen..... ew, but then again, it may have never occurred) I absolutely hate this type of folk music and this ADD-style performance, full of squinched up feelin', is no exception. It is soaked in hyperdramtic oomph.
But the car crash I cannot look away from is Judy Henske's leg meat at 3:13. She's a fit girl, and everybody has both relaxed and tight musculo-skeletal states, but the way that one section of thigh starts flailing and wobbling - jiggling doesn't come close to describing it at all - becomes a thing of fascination, completely taking over the experience of the song. Yipe. And not the good kind of yipe. It runs wild, poking the eyes with it's thrashing, and one has to ask, didn't the continuity person, director, assistant director, editor or producer notice it? My brain screams "CUT TO CLOSEUP!! CUT TO CLOSEUP!!" but they don't and nature shows us - on film - in perpetuity how we all came from the liquidy sea......
Plus that hairdo.....
But the car crash I cannot look away from is Judy Henske's leg meat at 3:13. She's a fit girl, and everybody has both relaxed and tight musculo-skeletal states, but the way that one section of thigh starts flailing and wobbling - jiggling doesn't come close to describing it at all - becomes a thing of fascination, completely taking over the experience of the song. Yipe. And not the good kind of yipe. It runs wild, poking the eyes with it's thrashing, and one has to ask, didn't the continuity person, director, assistant director, editor or producer notice it? My brain screams "CUT TO CLOSEUP!! CUT TO CLOSEUP!!" but they don't and nature shows us - on film - in perpetuity how we all came from the liquidy sea......
Plus that hairdo.....
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